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Women's Barracks: Femmes Fatales, by Tereska Torres
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Originally published in 1950, this account of life among female Free French soldiers in a London barracks during World War II sold four million copies in the United States alone and many more millions worldwide. The novel is based on the real-life experiences of the author, Tereska Torres, who escaped from occupied France. She arrived as a refugee in London and joined other exiles enlisting in Charles de Gaulle's army, then stationed in Britain awaiting an invasion of their homeland by Allied forces. But Women's Barracks is no ordinary war story.
As the Blitz rains down over London, taboos are broken, affairs start and stop and hearts are won and lost. Women's Barracks was banned for obscenity in several states. It was also denounced by the House Select Committee on Current Pornographic Materials in 1952 as an example of how the paperback industry was promoting "moral degeneracy". But in spite of such efforts - or perhaps, in part, because of them - the novel became a record-breaking best seller and inspired a whole new genre: lesbian pulp.
- Sales Rank: #113949 in Audible
- Published on: 2012-11-16
- Released on: 2012-11-16
- Format: Unabridged
- Original language: English
- Running time: 384 minutes
Most helpful customer reviews
11 of 11 people found the following review helpful.
a misunderstood minor classic
By Simon Mawer
To describe this book as "lesbian-themed pulp" does it a grave disservice. Perhaps that is how it was perceived in the US but that says a great deal about American attitudes in the immediate post-war period and nothing whatsoever about the book itself, which is very much of its time: a touching, bitter-sweet evocation of the life of French women in the London of the 1940s. Think Francoise Sagan if you want the style - light, sharp and cunning. And moving, actually very moving. It worries me how many people might be put off buying it because of the way it has been, and apparently still is being, published.
9 of 9 people found the following review helpful.
The Many Flavors of Love
By Rapscallion
I have the 1961 printing of this book with the very pulpy looking cover and the subtitle "The frank autobiography of a French girl soldier." That statement and some of the sensationalist marketing have doubtless led some readers astray. This isn't an autobiography. It's a novel that was most likely inspired by the author's experiences during WWII in a London barracks. The narrator is an objective reporter. She's not an actual character in the novel in the sense that you ever see her in action. All the other women confide their innermost hearts to her and she is sort of an omniscient being in her ability to go with them wherever they go and know whatever they know. Obviously, this is fiction. It may have been marketed as an autobiography early on to escape censorship because any novel that contained homosexual content in those days was considered pornography, regardless of how graphic (or not) it was. By calling it an autobiography, therefore true, it became more legitimized.
Yes, there are lesbians and some very mild sexual scenes involving them. Certainly there is nothing graphic or titillating in this book. In any female military setting anywhere in the world, you will find lesbians. To have left them out of this story would have been a huge and noticable omission. The story is about all the ways these women go about their romantic pursuits and sexual awakenings. Lesbians, bisexuals, virgins, tarts, gold diggers, etc., are all represented. The author/narrator herself doesn't participate in these actvities, but puts herself forth as a student of love, trying to determine if love is worth the effort or if such a thing as true and honest love even exists. By describing the affairs of her bunk mates, she attempts to find the answers.
The narrator, who is supposed to be a young and naive virgin, doesn't come across that way. She sounds much wiser than that. She's also very sympathetic to all the characters, including the lesbians, whom she considers sad, but legitimate and worthy of respect. One of the ways this book might be considered revolutionary is how the lesbians are described as just being what they are, natural and in many ways just like everyone else during a period of history when homosexuals were considered mentally ill or worse. The narrator portrays them as lonely and on the fringes of society, which they certainly were back then. But she doesn't back away from examining their type of love just like all the others.
This is not a story about lesbians. It's a story about a diverse group of French women and their romantic adventures and misadventures in the 1940s as they go from eager, optimistic girls to disillusioned women, cut off from their families and country. It starts out like a steamy potboiler, but it soon becomes an engrossing story set against the backdrop of war-torn London, and by the end is actually very moving.
It isn't great literature, but I enjoyed it.
3 of 3 people found the following review helpful.
Excellent book on interpersonal relationships
By Marian
Although this has been billed as "lesbian pulp fiction," that is not a very good description of it. While some of the characters are lesbians, others are straight. The book is, rather, a novel about women and their various relationships--friendships as well as romantic relationships. Very insightful, timeless and free of platitudes. It paints a picture of human interactions and responses during a time of war and deprivation, and is written with compassion and thoughtfulness.
I highly recommend it.
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